Home Anime Satoshi Kon’s Perfect Blue Is Perfectly Feminist

Satoshi Kon’s Perfect Blue Is Perfectly Feminist


A great psychological thriller takes viewers on a twisting trip that makes them query all the pieces they thought was sure, and Perfect Blue does this masterfully. Directed by Satoshi Kon in 1997,  Good Blue has taken up the mantle of an animated basic and enjoys its place among the many ranks of Japanese works that affect Hollywood.

The movie follows Mima, a younger pop idol who decides to attempt her hand at performing in an try to maneuver ahead in her profession. Nonetheless, she will not be granted a clear break. The idol world breeds its personal distinctive toxicity, which is made obvious by Mima’s followers who’re displeased by the implications of her swap. Even Rumi, Mima’s supervisor, is cautious of Mima dropping her manufactured innocence. This displeasure stems from a deeper want for management. As an alternative of letting Mima develop and do as she pleases, folks complain that she will not at all times be who they need her to be.

Within the leisure business, picture is all the pieces, and that is very true for girls. The lack of picture can spell the lack of a complete profession. Younger ladies, particularly idols whose photos are rigorously crafted, are inspired to painting a candy innocence that makes them agreeable to the lots. Those that break from this picture are sometimes confronted by judgmental crowds and denounced by puritanical critics. It is sufficient to drive any lady — like Mima — loopy.

Good Blue‘s feminism turns into extra apparent when discussing Mima’s stalker, who finally assaults her, and a selected scene she is pressured to behave out for a movie. Within the film Mima manages to attain an element in, her character is sexually assaulted, and the scene is carried out with an intense quantity of element. The simulated act of violence factors out obvious points in regard to violence towards ladies, but it surely additionally highlights much less apparent feminist points.

Rumi’s predominant qualm with the scene is that it’s going to deal a demise blow to Mima’s good picture. Nonetheless, the concept sexual assault can reduce a lady’s perceived worth in any means is extremely problematic. The movie’s nuanced dealing with of this dialog forces audiences to deal with their very own feminist beliefs.

With its clever and stunning twist, Good Blue additionally addresses a feminist situation that’s usually glossed over: ladies working towards different ladies. The primary antagonist of the movie seems to be none aside from Rumi, the lady who was supposed to guard and information Mima. As an alternative, she makes an attempt to manage Mima and stay vicariously via the weak lady, resorting to homicide when issues do not go her means. Rumi is proof that violence towards ladies can come from any angle, and Good Blue does not spare anybody in the case of its criticisms of society.

Good Blue tackles a wholesome unfold of urgent subjects, from obsessive consumerism to psychological well being, however its feminist undertones hit significantly onerous even immediately. For that reason, amongst others, Satoshi Kon’s movie is a timeless basic that can stay recent for years to come back.


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